Gretsch guitars: 6196 Country Club

Gretsch 
6196 Country Club

The Country Club was in many ways Gretsch's most traditional guitar. Although they are not as avidly sought as White Falcons and 6120s, they are also among the company's best.

Among Gretsch's first commercially successful electrics, the Country Clubs were directly descended from the 6030 and 6031 of the Synchromatic line, which were in turn directly descended from the pre-war "cat-eye" Synchromatic 300.

In other words, the 6192 and 6193 Clubs were 17-inch pedigreed jazz boxes when they were introduced in 1951. They were the largest Gretsch electric models, other than the White Falcon, and the only guitars in the line other than the Falcon to use a spruce top, although spruce is rarely found after '55. Clubs were never offered with a stock Bigsby whammy bar, although one was available as an extra cost option some years.

Until late 1954, when the entire range of guitars was revamped, Gretsch used small plastic knobs on the few Country Clubs made. These early Country Clubs are usually known as Electro II's, and evidence suggests Gretsch was inconsistent naming them.

The 1955 model year was a major turning point for Gretsch across the guitar range, and in the Country Club line it was the first for the Cadillac Green 6196 and the earlier Synchromatic-style tailpiece was phased out about this time in favor of the common G-cutout style. Some 6196s have appeared in two-tone gray and other colors, suggesting 6196 was originally a custom paint code before Cadillac Green was established as a standard color.

Starting in 1958 FilterTron pickups replaced DeArmonds, along with other changes corresponding with the rest of the Gretsch range, including the addition of the tone switch in place of the previous knob. Stereo models were also offered, under model numbers 6101, '02 and '03, but they were never popular. The earliest, '58 and '59 stereo models are easily identified by their close-spaced pickups.

The "zero fret" became standard in 1960, and the body was thinned to about 1 7/8 inches in 1961, about the same time the stereo wiring was simplified and the pickups moved back to the normal positions.

The Clubs never went to the double-cutaway Electrotone body, and the thinner body was a relatively short-lived experiment in the line. By 1964 they had plumped back up to 2 3/4 inches. Even though the body remained a single-cutaway, the Clubs did receive the Gretsch padded-back treatment, along with a standby switch and string mutes. These other additions were also short-lived and long gone by 1964 or '65.

Cadillac Green was phased out in 1968, and Baldwin-era changes began. By 1972, the 7576 and 7577 designations had begun, and the Club soldiered on, selling in small numbers, until the factory shutdown in 1981. It was far and away Gretsch's longest lasting model.

See Also:

Comments

  1. wenzel wrote:
    I love my 2005 model 6196T with bigsby. I wouldn't trade this guitar for anything. The tone is simply amazing and can sound like pretty much anything you want.

    Aug 22, 2006 5:46 a.m.

  2. Sorensen wrote:
    Mt '06 6193T is a surprisingly good jazz guitar, but that's not its only talent. Even with flat-wound strings I can get quite an array of twangy Duane Eddy sunds out of it. All in all it is a very pleasant surprise.

    Dec 17, 2006 2:34 p.m.

  3. stonemarmot wrote:
    Though considered by many to be a jazz guitar, I'm using my 6196T for pop-punk rock. It works for every type of music I've tried to play on it. Great sounds!!

    Jan 16, 2007 10:13 p.m.

  4. mmarconi wrote:
    I've got a JT05 G6196TCG...Zero Fret..Spruce top..Gold V-cut Bigsby..Stock Filtertrons...standby switch..I'm guessing CG stands for Caddy Green?...Awesome guitar...I've always LOVED Falcons but they are a little over the top cosmetically for me...The Club is a perfect balance...now if It only came in HI GLOSS BLACK!..That's the ticket!I'm using it for Blues/Rock..Psychobilly..a touch of overdrive, a little slapback...Tweed Deluxe...it handles the gig VERY well. ***** (5 stars)

    Oct 12, 2007 10:27 a.m.

  5. JRamey wrote:
    Great sound, deep, rich very toneful. Great for finger style guitar.

    Jun 10, 2009 9:53 p.m.

  6. hamiltone wrote:
    I've been a Gretsch fan since I took up the guitar in the early 60s. I now have a 2008 Country Club and love it. I did a couple of mod's to get it up to speed, now it's just what the doctor ordered!!It's great for jazz, country or rockabilly. Not so good for rock as it tends to feedback.

    Jul 8, 2009 4:43 p.m.

User Ratings:

Overall rating:
5 (out of 5), 4 ratings
Playability rating:
5 (out of 5), 4 ratings
Collectibility rating:
4 (out of 5), 4 ratings

Basic Country Club specs:

Body Material
Maple
Scale
25½"
Binding
White/black/white on body, neck and headstock

1955:

To many fans, the Cadillac Green 6196 Country Club is <em>the</em> Country Club. Gretsch introduced the 6196 in late 1954, and while it had a shorter life than the 6192 or 6193 Clubs, it arguably made a larger impact. Note Some 6196s have appeared in two-tone gray and other colors, suggesting 6196 was originally a custom paint code before Cadillac Green was established as a standard color.

Body Width
17"
Body Depth
3&frac12;"
Body Style
Single Cutaway Hollowbody
Colors
  • Cadillac Green
Fretboard Wood
Rosewood
Fretboard Markers
Block
Nut
Bone
Tuners
Grover Imperial
Neck Pickup
DeArmond Dynasonic
Bridge Pickup
DeArmond Dynasonic
Controls
  • Master Volume
  • Neck pickup volume
  • Bridge pickup volume
  • Master Tone (knob)
  • Pickup selector switch
Bridge
Melita
Tailpiece
G-Cutout

1957:

Humped block markers made a one year appearance (as on other Gretsches), and G and arrow knobs begin to appear.

Body Width
17"
Body Depth
3&frac12;"
Body Style
Single Cutaway Hollowbody
Colors
  • Cadillac Green
Fretboard Wood
Rosewood
Fretboard Markers
Nut
Bone
Tuners
Grover Imperial
Neck Pickup
DeArmond Dynasonic
Bridge Pickup
DeArmond Dynasonic
Controls
  • Master Volume
  • Neck pickup volume
  • Bridge pickup volume
  • Master Tone (knob)
  • Pickup selector switch
Bridge
Tailpiece

1958:

As with much of the Gretsch line-up, 1958 ushered in FilterTron pickups, a tone switch, a space control bridge and Neo-Classic fret markers. Country Clubs also got an ebony fingerboard, and the 6101, 6102 and 6103 stereo Country Club guitars were added.

Body Width
17"
Body Depth
3&frac12;"
Body Style
Single Cutaway Hollowbody
Colors
  • Cadillac Green
Fretboard Wood
Ebony
Fretboard Markers
Nut
Bone
Tuners
Grover Imperial
Neck Pickup
"Patent Applied For" FilterTron
Bridge Pickup
"Patent Applied For" FilterTron
Controls
  • Master Volume
  • Neck pickup volume
  • Bridge pickup volume
  • Pickup selector switch
  • Tone Switch
Bridge
Tailpiece

1960:

The Zero Fret, which had appeared intermittently in 1959, was standardized on the Country Club.

Body Width
17"
Body Depth
3&frac12;"
Body Style
Single Cutaway Hollowbody
Colors
  • Cadillac Green
Fretboard Wood
Ebony
Fretboard Markers
Nut
Zero Fret/Bone
Tuners
Grover Imperial
Neck Pickup
"Patent Applied For" FilterTron
Bridge Pickup
"Patent Applied For" FilterTron
Controls
  • Master Volume
  • Neck pickup volume
  • Bridge pickup volume
  • Pickup selector switch
  • Tone Switch
Bridge
Tailpiece

1961:

A thin, 1 7/8" body was used on all Country Clubs in 1961.

Body Width
17"
Body Depth
1 7/8"
Body Style
Single Cutaway Hollowbody
Colors
  • Sunburst
Fretboard Wood
Ebony
Fretboard Markers
Nut
Zero Fret/Bone
Tuners
Grover Imperial
Neck Pickup
"Patent Number" FilterTron
Bridge Pickup
"Patent Number" FilterTron
Controls
  • Master Volume
  • Neck pickup volume
  • Bridge pickup volume
  • Pickup selector switch
  • Tone Switch
Bridge
Tailpiece

1962:

While other Gretsch guitars switched to the ElectroTone body, Country Clubs simply added a padded back, standby switch and single mute to their classic &ndash; albeit slimmed-down &ndash; form. Note that the earliest mutes dial up, while later ones flip up, using a simpler knob.

Body Width
17"
Body Depth
1 7/8"
Body Style
Single Cutaway Hollowbody
Colors
  • Cadillac Green
Fretboard Wood
Ebony
Fretboard Markers
Nut
Zero Fret/Bone
Tuners
Grover Imperial
Neck Pickup
"Patent Number" FilterTron
Bridge Pickup
"Patent Number" FilterTron
Controls
  • Master Volume
  • Neck pickup volume
  • Bridge pickup volume
  • Pickup selector switch
  • Tone Switch
  • Standby Switch
  • String Mute
Bridge
Tailpiece

1964:

The 6193 Country Club's brief flirtation with the Twiggy look ended in '64, as the body thickness went back up to 2&frac34;" midyear. Grover "kidney button" tuners replaced the Imperials, and both the padded back and string mute were dropped.

Body Width
17"
Body Depth
2&frac34;"
Body Style
Single Cutaway Hollowbody
Colors
  • Cadillac Green
Fretboard Wood
Ebony
Fretboard Markers
Nut
Zero Fret/Bone
Tuners
Grover StaTite
Neck Pickup
"Patent Number" FilterTron
Bridge Pickup
"Patent Number" FilterTron
Controls
  • Master Volume
  • Neck pickup volume
  • Bridge pickup volume
  • Pickup selector switch
  • Tone Switch
  • Standby Switch
Bridge
Tailpiece

1967:

Final year for vintage 6196 Country Club.

Body Width
17"
Body Depth
2&frac34;"
Body Style
Single Cutaway Hollowbody
Colors
  • Cadillac Green
Fretboard Wood
Ebony
Fretboard Markers
Nut
Zero Fret/Bone
Tuners
Grover StaTite
Neck Pickup
"Patent Number" FilterTron
Bridge Pickup
"Patent Number" FilterTron
Controls
  • Master Volume
  • Neck pickup volume
  • Bridge pickup volume
  • Pickup selector switch
  • Tone Switch
  • Standby Switch
Bridge
Tailpiece