Gretsch guitars: 6187 Electro II

Gretsch 
6187 Electro II

The Country Club was in many ways Gretsch's most traditional guitar. Although they are not as avidly sought as White Falcons and 6120s, they are also among the company's best.

Among Gretsch's first commercially successful electrics, the Country Clubs were directly descended from the 6030 and 6031 of the Synchromatic line, which were in turn directly descended from the pre-war "cat-eye" Synchromatic 300.

In other words, the 6192 and 6193 Clubs were 17-inch pedigreed jazz boxes when they were introduced in 1951. They were the largest Gretsch electric models, other than the White Falcon, and the only guitars in the line other than the Falcon to use a spruce top, although spruce is rarely found after '55. Clubs were never offered with a stock Bigsby whammy bar, although one was available as an extra cost option some years.

Until late 1954, when the entire range of guitars was revamped, Gretsch used small plastic knobs on the few Country Clubs made. These early Country Clubs are usually known as Electro II's, and evidence suggests Gretsch was inconsistent naming them.

The 1955 model year was a major turning point for Gretsch across the guitar range, and in the Country Club line it was the first for the Cadillac Green 6196 and the earlier Synchromatic-style tailpiece was phased out about this time in favor of the common G-cutout style. Some 6196s have appeared in two-tone gray and other colors, suggesting 6196 was originally a custom paint code before Cadillac Green was established as a standard color.

Starting in 1958 FilterTron pickups replaced DeArmonds, along with other changes corresponding with the rest of the Gretsch range, including the addition of the tone switch in place of the previous knob. Stereo models were also offered, under model numbers 6101, '02 and '03, but they were never popular. The earliest, '58 and '59 stereo models are easily identified by their close-spaced pickups.

The "zero fret" became standard in 1960, and the body was thinned to about 1 7/8 inches in 1961, about the same time the stereo wiring was simplified and the pickups moved back to the normal positions.

The Clubs never went to the double-cutaway Electrotone body, and the thinner body was a relatively short-lived experiment in the line. By 1964 they had plumped back up to 2 3/4 inches. Even though the body remained a single-cutaway, the Clubs did receive the Gretsch padded-back treatment, along with a standby switch and string mutes. These other additions were also short-lived and long gone by 1964 or '65.

Cadillac Green was phased out in 1968, and Baldwin-era changes began. By 1972, the 7576 and 7577 designations had begun, and the Club soldiered on, selling in small numbers, until the factory shutdown in 1981. It was far and away Gretsch's longest lasting model.

See Also:

Comments

  1. jassW wrote:
    I have what I believe is a 1954 Electro II. It has the "Synchromatic" script, no adjustable truss rod, all gold plated hardware, including the stair-step tailpiece, DeArmonds, and even the nut on the 1/4" jack. VERY attractive sunburst. Clear plastic knobs, as pictured, no switch. I would have thought the pickguard would be black, with 3-plly binding, not as pictured. Mine IS as pictured, with gold pickguard, but it appears to be much newer. I picked this up based on my admiration for the incredible Billy Bean, who played this model on "The Trio" recordings on Riverside, circa 1962. (w/ black ickguard, and Blonde finish, otherwise the same). I can't get nearly the same fat sound out of this model that he did, which may be due to some buzzes and rattles that I have to track down (wiring? bracing?). Handsome guitar, and feels good.

    Dec 10, 2006 11:04 a.m.

  2. jumpinjimmy wrote:
    I also have a 1954 Electro II. It's a beautiful guitar and I really enjoy playing it. It's a sunburst model and has some really pretty quilted maple on the back. Pushbuttons on the pickguard are for pickup selection. Super guitar.

    Sep 6, 2009 5:03 p.m.

User Ratings:

Overall rating:
4 (out of 5), 2 ratings
Playability rating:
4 (out of 5), 2 ratings
Collectibility rating:
4 (out of 5), 2 ratings

Basic Electro II specs:

Top Material
Spruce
Side and Back Material
Maple
Scale
25½"

1951:

Using the 6030 Synchromatic archtop as a base, Gretsch added some DeArmonds and created a legend in 1951. Labelled "Electro II," these non-cutaway guitars clearly show their Synchromatic heritage in the headstock script, "Synchrosonic" bridge and stairstep "Chromatic" tailpiece. These aren't surefire clues to an Electro II, though. Melita bridges were also offered, and the bridge and tailpeice items have often been changed over the years. Electro IIs also used small, clear plastic knobs, and the truss rod is adjustable from the body end of the neck. Also note the lack of a master volume knob.

Body Width
17"
Body Depth
3½"
Body Style
Hollowbody (no cutaway)
Colors
  • Sunburst
Fretboard Wood
Rosewood
Fretboard Markers
Block
Nut
Bone
Tuners
Grover StaTite
Neck Pickup
DeArmond Dynasonic
Bridge Pickup
DeArmond Dynasonic
Controls
  • Neck pickup volume
  • Bridge pickup volume
  • Master Tone (knob)
  • Pickup selector switch
Bridge
Synchrosonic
Tailpiece
Chromatic
Pickguard
Bound Tortoiseshell

1954:

Final year for the 6187 Electro II. For 1955 it dropped it's Synchromatic trappings and became the 6192 Country Club.

Body Width
17"
Body Depth
3½"
Body Style
Single Cutaway Hollowbody
Colors
  • Sunburst
Fretboard Wood
Rosewood
Fretboard Markers
Block
Nut
Bone
Tuners
Waverly
Neck Pickup
DeArmond Dynasonic
Bridge Pickup
DeArmond Dynasonic
Controls
  • Neck pickup volume
  • Bridge pickup volume
  • Master Tone (knob)
  • Pickup selector switch
Bridge
Synchrosonic
Tailpiece
Chromatic