A few sidebars, because no one pair of eyes and ears can see and hear everything:
Who is Warren Wolf?
Yeah, the guy doing the fingerstyle playing and a bit of rocking here and there. Warren is a long-time friend. I met him 13 years ago. He was playing some unlikely venue or another (a pickle brine factory or something like that). I had read a nice feature article on him the Mobile (AL) Press Register, and figured he'd be an ace to see, and he was. He rekindled my affection for Gretsches, we became friends, played in a few bands together, had a number of wacky adventures, and spent way too many nights sitting up playing and talking music way too late into the night.
One Sunday he and I were sitting at his house with a bassist who wasn't even in our band, and just for the fun of it we spent hours working on three numbers that we would never perform publicly together: Bach's Minuet in G Major, Boyce and Hart's I Wonder What She's Doing Tonight, and a 19th century folk song about murdering a girlfriend (murder was a popular folk song subject back then) that Warren found sheet music for in the library.
I have never seen anyone work longer or harder at playing guitar than Warren. What he creates as a guitarist is a testimony to relentless practice, not to a supernatural lightning-bolt gift from the gods.
Warren's one of those guys who never left town, but who had the talent to make it somewhere bigger. Actually, Warren did leave Mobile once -- tried his hand in Nashville briefly, but the best offer he got was from a guy named Eddie to join his surf instrumental band. Didn't seem like the thing to do...
He has a '65 Super Reverb that pairs with his Gretsches to create out-of-this-world tone. I brought my '66 Super Reverb to the Roundup for him to play through, but we barely got around to taking the cover off.
Warren once was a contributor to the GDP and even provided a song for one of the GDP compilation CDs -- Hillbilly Chicks on Speed, which, for some reason, we never played together. He didn't leave the GDP mad or bored; he just doesn't have a computer.
I told him about the Roundup last year, but he wasn't able to attend and didn't seem terribly interested in the idea, so I wasn't sure it would be productive to call him about this year's event. But on the next-to-last-day to register, I did give him a shout and he was enthusiastic and ready to make the trip. Given his computerless status, we had to jump through a few hoops to get him registered and paid up before the deadline, but those were just details.
As the other attendees at the Roundup can attest, Warren loves to play, talk, and learn about music. Within an hour of arriving at Hachland, he was set up and playing.
Needless to say (but I will anyway), it was great to have my long-time friend meet everyone. I'd hoped to play a lot with Warren over the weekend, but he got all tied up playing old-man fingerstyle music with a bunch of old-man wannabes,
so we only got in a few songs together on Friday night. That was OK, though.
About that left-handed Electromatic
Many slightly crazy moving parts here. I won the G Love Corvette last year -- it was the first guitar given away. And then I saw Joe step on my pick this year for the 5122 -- the first guitar given away this year. Come on, what are the odds of this happening?
I tried to demur this year, because, after all, it was a right-handed guitar again and I'd be faced with owning something I really couldn't use and would eventually have to pass along to Dylan again; but Mr. Carducci made me an offer I couldn't refuse.
The left-handed Electromatic to come is no garden-variety Electro. No, it's not. It's this:
The Tim Armstrong Signature Model
Based on Rancid's singer/guitarist's '70s Country Club, here's what everyone (lefties and righties alike) can expect:
17" wide, 3" deep body
Those little Baldwin-era winky f-holes
24.6" scale
Grovers
Original pickups bisected, dissected, analyzed, and replicated (no Gretschbuckers, thank you)
Flat black finish sorta per Armstrong's original*
Gold hardware, including gold pickup rings
"No Bigsby" says Joe (I assume it will be a trapeze tailpiece as on Armstrong's)
Knobs that turn in correct direction for lefties (a first for Gretsch!)
Street price: a decent slice under $1,000
*Armstrong painted his with a rattle can from a hardware store, didn't even take off the strings beforehand; expect a more professional approach for the Sig model
Mr. Armstrong's original is a converted right-handed model, and Joe tells me Tim's pretty stoked about the prospect of getting a proper lefty with a cutaway that, you know, allows access to the upper frets.
Last year at the Roundup, I pointed out to Joe that there were no left-handed Electromatics, and he promised to rectify that deficiency. It's taken a while, but I think this model will do nicely.
Prototypes are making their way through the system, and Mr. Armstrong gets first dibs. Joe tells me I'll get the first one after Tim's made his choice(s).
And I won't have to wait until after NAMM! Maybe in a month... Pics and an assessment will appear on the GDP as soon as practicable.
And yes, Gary, it was a heck of a note that 57Chet won the 5122 right afterward and it left Nashville in my car anyway. What a setup, huh? We could've fit more stuff in the Element, too, but jeez...
Note to fellow lefties: I'm also still twisting Joe's arm about Pro Series lefty Dyna Country Clubs, and before too long I think we'll see them, in Bamboo Yellow (!)(Joe asked me which of the two-tone color combos the southpaws wanted, and I recalled that everyone liked the BY/Copper -- I could have lied and told him Smoke Green, my favorite). Rev up your credit cards!
Paul/FF909
PS: I believe that, with the artist sig Electromatics, Gretsch is positioning itself well for the future: this will be a uniquely detailed iteration of a major model, with an artist association for a younger demographic, and designed for contemporary rocking. It will be interesting to see how versatile it turns out to be. I know that the G Love Corvette is a first-rate guitar (and those who saw Dylan's at the Roundup for the first time said what everyone says: that Philly Green looks so much better in real life than in pictures!), and I look forward to the TA Sig CC achieving comparable standards.
(Now get to work on that KT Tunstall sig Champagne Sparkle Double Jet! Something for the ladies, you know -- it worked well for Rickenbacker with Susannah Hoffs.)