After listening to Bobby’s set, I strolled around the rest of the Fender facility. Check out some of these cool Custom Shop beauties. I especially like the custom-upholstered amps. Finally a Blues Junior I’d want to own (besides a lacquered tweed one, of course). Also, the Bandmaster is back! A tube amp with digital effects. I'll try to play one if I can.
Oops, I think I left this pic of the man himself out of the first post:
I think I've found my next car (or my son has), Toyota Matrix with a built-in G-Dec:
Then I did some non-Gretsch stuff (I think I’ll post it in the “Other Guitars” section so it at least all stays on the GDP), but I did stop by the Bigsby booth, and found a new item I’d never seen before, something that has been discussed in other discussion groups I hang out in, how to elegantly mount a Bigsby on a stud-tailpiece guitar. And they’ve done it! Check out the Vibramate! It comes with SAE and metric stud screws, you screw the base into the stud holes, then screw your B5 into the Vibramate, and you’re done! There’s a little less break across the bridge because the Bigsby is elevated about 3/16”, which may (or may not make the vibrato action smoother), it’s just cool all the way around. And I gotta have one. Also in the booth but not pictured is the new Paul Bigsby book, available in a leatherbound, gift-boxed edition, signed by Fred Gretsch, for only $100. Great detailed photos in it.
Later in the day I went back to TV Jones and played (and played, and played) a SpectraSonic. I also achieved something new. I got busted by the NAMM volume police. I was ordered to turn down the volume, and limited to 5 minutes of playing. Oddly, this was apparently not enforced at the bass amp booth next door. But oh well, lots of people stopped to listen to me play (that is considered a good day at NAMM for me), and the TV Jones people invited me to come back and play some more. The soundclips I recorded there were not top-quality, so I will likely go back and do some more.
FG
.
.
.
