1 Ric12 1 year ago It got a G5122 a couple of weeks ago. I didn’t want to post about it right away in the new guitar excitement mode. I wanted to set it up and make adjustments and to see what it could do… First off, for context, I have had five Pro Series Gretsch’s before. So I know what they do. 6120 Jr: 2003 6120 Hot Rod: 2003 6120 LSB: 2005 6122 CC: 2005 6128T Duo Jet: 2005 I learned a lot about Gretsch’s from them. My first Bigsby’s, Filtertrons, etc… Nothing else sounded like them. And they inspired me to further my rockabilly playing skills. As much as I enjoyed them, I sold them all. I since have bought a few other guitars with Bigsby’s. I changed pickups. Added coil cuts… And ultimately found other guitars that would do overdriven tones more to my liking and still get twangy with the coil cutting. Thus, they worked better in my cover band environment. But I always thought I’d get another Gretsch someday. I had heard the good stuff about the Electro’s. And I have had good luck with other “cheaper” guitars like Epiphone’s, Yamaha, Ibanez, etc… The G5122 seemed like the ticket since I wanted a hollow body. And I liked the idea of a “normal” neck heal as compared to the Country Classic; the improved fret access vs. a 6120; and the standard humbucker routes. So you can put any number of pickups in it. It seemed the 5122 could be the missing link for me after some customization. My impressions: I left it stock for the first week. It set up real nice. The tones were pretty darn good. Keep in mind that I wasn’t expecting to get a poor-man’s Filterton-toned Gretsch necessarily. I wanted to give it a chance on its own merits. The pickups: I messed with pickup and pole piece height a lot. I did get it more to my liking. The individual pickups sounded pretty good. But the 2-pickup tones just weren’t cutting it – muddy rockabilly. Raising the pole pieces did make it brighter but at the cost of harshness. Also, the Gretschbuckers didn’t have much sustain. So then I decided to put in my often preferred pickup combo of a GFS Fat PAT (actually a bridge pickup) for the neck position and an Ibanez INF2 for the bridge position. These are pickups with nice clarity which is surprising considering that they are about 14 and 16 ohms respectively. One of the upsides the high output is that there is a lot of pickup left when in single mode. One of the benefits to most hollow-bodies is that the wiring harness can be pulled out intact – everything. So it’s pretty easy to put it back stock. Of course that means you have to make one for the new pickups. For the new harness I decided to alter the layout. The master volume became the neck pickup volume. The 2 pots on top became tone controls for each pickup and they are push/pull’s for individual pickup coil cutting. The bottom pot is the bridge pickup volume. So ultimately, I traded a master volume to achieve individual pickup tone control. I used Orange drop .22 caps and a Swithccraft jack. The pots I believe are Alpha’s. The result, wow! Now I have the Gretsch that has enough of the Gretsch sound for me. But it is happy playing any kind of music. In humbucker mode, it’s kind of like a cross between a Gretsch and a Gibson hollow-body and has way more twang than with the stock pu’s. And sustain for days. Single coil mode brings out the brightness a lot. So I use tone controls to tame the highs a bit. Serious twang there. And the combo’s of one pu in HB and the other in single are fine too. In summary, it does not nail the FT Gretsch tones. I suspect that’s what most Electro buyers hope for. I had other ideas. It is an amazing guitar on its own merits. I got just what I hoped I would get.